Rebel Without a Cause

Please read Roger Ebert's Great Movies essay on Rebel Without a Cause. In 2 paragraphs, please discuss the following quote:

"Like its hero, Rebel Without a Cause desperately wants to say something and doesn't know what it is. If it did know, it would lose its fascination. More perhaps than it realized, it is a subversive document of its time."

Also, early in his essay, Ebert claims that "the film has not aged well." Do you agree or disagree? Give me one paragraph that tells me why (with evidence from the film).

Spellbound

Think cinematically about how the subjects of Spellbound are presented by the filmmaker. How does this film differ from the style of Harlan County USA, which is in the style of cinema verite? Does Spellbound contain any characteristics of cinema verite? Please cinematically discuss in 2 paragraphs.

Harlan County, USA

Discuss in two paragraphs how filmmaker Barbara Kopple cinematically represents the miners, the coal executives, and the union leaders. Be sure to use specific cinematic elements in your discussion. What were your impressions of the film as a whole?

The Searchers

Think about the portrayal of the American Indian and the portrayal of the whites in The Searchers. Discuss in a hearty paragraph how John Ford cinematically portrays each group. Then think specifically about Ethan and Scar and use your second paragraph to discuss how Ford cinematically portrays each of them specifically. In your last paragraph (number 3), discuss how the American Indian has been portrayed in films after watching Reel Injun on Netflix. Feel free to write as much as you want--this is a huge subject. Extra credit goes to those who comment on a classmate's comment or comments.

Reel Injun on Netflix.

Stagecoach

In your textbook, Looking at Movies, by Richard Barsam, Barsam goes into a detailed analysis of the construction of Stagecoach's narrative. In your response, pick TWO aspects of narrative that Barsam talks about that you think were particularly effective in the film and discuss cinematically how they worked to make Stagecoach such a successful film. Don't forget to use examples from the film to support your response!!!

Trailer Advice

First, WATCH A LOT OF TRAILERS. As many as possible!

Trailer Techniques
1. Long shots to establish character, setting and the ‘dilemma’
2. Fades to black that suggest shifts in time
3. Transitions accompanied by booming SFX, building tension and placing significance on the text on screen – often white on black
4. Short shots and quick cuts of some of the most exciting moments from the film, the ‘events’ that lead to resolution but not necessarily in chronological order
5. Quiet music to establish story, menacing music to highlight villains, build to a crescendo
6. Sudden moments of quiet and silence between and after music and SFX, which have equal impact on mood and pace.

Besides these persuasive features however, the language on screen and in the voiceover can also establish the narrative. Words chosen can suggest key themes and summarize the plot in a grand way to suggest the plot is timeless and universal. Some clichéd examples are:
• They will find hope where they least expect it
• One man’s destiny…
• She will face her biggest challenge
• It will change their lives forever!

Plan your film trailer – Storyboard, Shot List. Ask yourself the following questions:
1. What clips should I include in order to give a really good sense of the film’s style, content and genre?
2. How will I create mood? What mood(s)?
3. How will I create pace? Can I vary pace to make it more interesting?
4.What is the plot of my film? What particular hooks can I create? How?
5. What should I leave out in order to maintain some sense of enigma which can only be resolved by watching the whole film?
6. At what point should I include the film’s title?
7. How can I design the trailer so that it draws attention to my technical role in the film’s production?

How will your trailer fit into the history of trailers? Will it be typical of a particular style? Will you challenge conventions?

Taxi Driver

Taxi Driver is a film about many things, but overall it is about the theme of isolation and focuses on one particular loner in a big city who can be construed as an anti-hero. It is a film that draws from many genres: the Western, horror, film noir, and was also influenced by the films of the Italians (DeSica, Rosselini, Fellini).

Discuss cinematically, in at least two paragraphs, the themes of isolation and/or the anti-hero and how Scorsese's film is influenced by the different genres and by the Italians. You might find Ebert's original review and his Great Movies essay on the film helpful.